More Pages: Carter Page 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100


A good narrative of Sherman's march to the sea

The corporate author of Nick Carter... prophet?

Emotional Experience!I enjoyed reading it and loved how the author Shelia D. Bryant's vivid describtions created stirrings of intense emotions causing tears, smiles and laughs.The Foreword which was written by Fredia Carter was thought provoking.


Excellent view into current research on going to Mars

Stretching Ourselves

Different

Tall in the Saddle

A fascinating inquiry into the symbolism of nursery rhymesHis analyses are thought-provoking. For example, the popular lullabye "Hush-a-bye Baby" employs the image of a child cradled in a tree. Historically, the tree has been a symbol of motherhood. The lullabye traces, in a few economical lines, the path of maturation: from infancy (child safely nestled in tree), to early childhood/preadolescence (the "winds" of change and emerging independence cause the child's cradle to rock, i.e., the tree's/mother's grip on the child to loosen), and finally adolescence/pre-adulthood (the bough breaks and the cradle falls, i.e., the child reaches independence and separateness from the mother).
In a related vein, Carter argues that in "Mary Had a Little Lamb," the lamb represents Mary's unconscious, child-like aspect, while the school (from which the lamb is barred), her emerging consciousness and entry into the "real," adult world. In the rhyme, the lamb waits for Mary to return from school, thus suggesting that although Mary will be able successfully to negotiate the "real" world, she will also stay connected with her creative/emotional side.
Carter weaves the strands of Taoist philosophy, Jungian psychology, and theories of childhood development into an innovative and provocative thesis, one which leaves ample room for disagreement, but which will inspire further study of these topics. One will never think about Little Bo Peep and her lost sheep in quite the same way again!


Telephone Triage Card Deck

wild'n'coloured sword'n'sorcery, but without challenge.very easy to read. clear concise flowing (but not Lord Dunsany poetics) style. it drew me from the git and never let go.
the main problem it has is that it is too predictable and plot events too convenient. however, it is very colourful and well paced, and if you accept the simplicity as a part of the rollicking genre, it's not so much an issue.
whilst lin carter has not the distinction of fritz leiber, his style is his own and his gory scenes hit on a pitch similar to Robert E Howard's 'Conan'.
the final confrontation is beautifully drawn out and right-on between too quick and too dribbly. some of the descriptions are just lurid and sent my imagination to frenzy!
in short, this is a great sword & sorcery book. there are no weak spots in terms of flow and colour, but its convenience and good nature may be tiresome for those after more complexity.
if you want wild'n'crazi reading, and have finished 'Conan' and 'Fafhrd & Gray Mouser' (Leiber), then you might like this tale.
if you feel jaded by Dragonlance or Shannara : neither of whom can write for @$$$, then check this 'Thonger' series . yih! adamo june '99 Australi.